Poetry

  • On Stifling the Next Generation, the Cult of Anointed Poet, and the Literary View from Ontario’s Deep South

    The literary community in Windsor-Essex is struggling under the dominance of a small group of well-connected, aging writers, referred to as “the Cult of Anointed Poet.” Their control has led to the decline of literary events and inclusion of diverse voices, stifling younger, marginalized writers. A generational shift is essential for revival.

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  • Revisiting Nicholas Catanoy’s The Fiddlehead Nation

    Nicholas Catanoy’s “The Fiddlehead Nation,” a rare Canadian poetry collection published in 1979, explores Atlantic Canada’s landscapes and cultures through vibrant, eco-poetic lens. Catanoy weaves observations of Indigenous peoples alongside natural imagery, presenting nuanced perspectives rarely showcased in Canadian literature. Its avant-garde style offers readers a unique, road-trip experience.

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  • Poet as Curator and the Failure of Government Appointed Laureates

    We play witness with beauty, with honesty, and with integrity for our subjects and the world in which they actually inhabit. No deletions, no speaking for, simple honest witness. Witness that must cross borders, must bring up the often uncomfortable, and do so in a beautiful manner that honours both the tradition and the lives…

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  • Telling Athiluhakàn: On Winter Stories and the Season Ahead.

    These stories are often more reflective of our actual experiences than any other season. There is truth to be found in stories told in the cold dark of the winter season.

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  • On Epic Poetry and the Importance of New Indigenous Myths

    This weekend marks the end of the first leg of my touring for the newest collection, North of Middle Island, and I am left with some important thoughts about Indigenous lit and culture moving forward. Thoughts that have arisen from the most recent high profile pretendian revelation as well as the path of Canadian literature…

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  • This Rock Shall Shake Forth the Better Year

    Time to reach out from the wintry basement perch of this writer. We’ve all cleared out from 2017 and all of creation around here feels cleansed from the meteor a few weeks back. Nothing like a giant rock blowing up above you to clear out the bad funk left from a year a lot of…

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  • Adherents to the Lyrics of the Places We’ve Lived: Notes on the Second Book.

    So today it is. This is official release date for my second poetry collection, This City at the Crossroads. This is that moment where the writer rejoices, embraces the idea that their work has been brought forth to the world, and all the toil behind it is officially brought from the private shadow into the…

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  • The Small Books at the Heart of Literature Today.

    Let me start by saying that summer is well upon us in the border region. It also goes without saying that the summer brings with it baseball both grand and small and all those memories that go with such a storied game. Sure, I grew up on Major League baseball with the Detroit Tigers just…

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  • May This Rock be Truth: Thoughts on the Newest Project

    One of the best things with having completed a MFA is that you generally exit the program with more work than you would ever have thought likely to use. Truthfully, much of it can be left behind. But there are other bits, the stuff that marked a turn perhaps in the everyday often written under…

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  • Improvisation as Narrative: Some Thoughts on Michael Ondaatje’s Coming Through Slaughter

    Coming Through Slaugher Michael Ondaatje House of Anansi ISBN: 0-88784-051-5 156 pgs As a poet and a trained fiction writer, I generally greatly enjoy where lyricism and narrative meet and illustrate the world to us. Not to mention, I am a large fan of jazz from it’s origins a long the shadier streets of New…

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